JA revealed that in his testing as well. set out to achieve comparable extension in a much smaller package, and in that regard he certainly succeeded while at the same time complying with the needs of costumers wanting for more decor "friendly" (i.e. I'm assuming it sounds awesome, but surely, would it hold up to Mr. Atkinson's measured scrutiny? There was good momentum in the chording from the electric piano, although I noticed that some notes in that instrument's lowest register had a bit of overhang. Setup Working with modeling clay, I noticed that the more clay I put into the corners of the horn, that tended to eliminate that beaming. I like horns. Klipsch is an Experience , nearly indescribable with words. Paul Klipsch, inventor and entrepreneur, patented the idea of assembling chambers and passageways for a bass driver’s sound waves to gradually expand as they travel out to the opening. I really enjoy the LS50 too. In its latest rendition, this historic speaker boasts an all-new neodymium tweeter, premium wire management system, and fully-enclosed design for flexible placement. The compendium of papers in their original form includes never-before-seen issues, hand-written drafts, and supporting images and diagrams. In fact all Rival owners could do the same thing by simply increasing the output of the midrange horn to match the output of the woofer and tweeter. Ignorance about real aspects of real things like the very large WMTMW you mention is proof of such assumptions. P.S. The veneered birch plywood and MDF cabinet – hand-built in Hope, Arkansas – has an appealing scent of freshly cut wood and glue. The final result will be a handsome cloth-wrapped, hardcover book with 400 full-color pages and smyth-sewn binding. This is because they're roughly the equivalent of raising the automotive bar by way of the onboard computer - instant EFI, timing curves, boost and traction control, and even racer telemetry if you like. Reactions: Lp85253, drh3b and zieglj01. . It's worth considering the Khorns as a speaker model have gone on essentially unchanged for over 7 decades, still being produced, purchased and enjoyed by people around the world - despite them being restricted where LFE goes, and yet being relatively big and rather costly speakers. Finally, during what turned out to be my last week with the Klipschorn AK6s, I tried driving them with the least expensive power amp I have in-house: the Luxman MQ-88uC ($5995), a permanent addition to the Luxman line that's virtually identical to the limited-edition MQ-88uSE that I wrote about in the September 2017 Stereophile. They measured dynamic compression/linearity, frequency response and distortion. The speaker wall had been constructed in a W shape with the middle peak flattened off. of feedback—to produce 8Wpc. Below are some ways you can connect: >> If you'd like to know more or want to request a press kit, drop us a line at info@dopefromhope.com. There are speaker designers who design and build speakers (that many customers love) with solid hardwood, rather than plywood or MDF, because that's the sound they are after, resonances and all. Though horn-loaded loudspeakers began showing up in movie theaters as early as the mid-1930s, credit goes to Paul W. Klipsch for creating some of the earliest horn designs for home use. leaner than usual on the bottom but more dynamic than than anything else in the house. A meaningful hierarchy of those flaws - which doesn't exist yet - will naturally run in parallel to a meaningful hierarchy of their respective sound. Art's driveway, Mike's driveway, even simple science is gone !! Yes, J-10 was and still is a great writer. This is a concept that I understand is popular in Tokyo. Sometimes this is difficult because deleting this manually requires some advanced knowledge related to removing Windows applications by hand. Sorry Jim, I wasn't paying attention to the comment section and just now saw your post. I think it was a Dual.It was a stereo store in Texarkana Texas. The bass response shows the dramatic ripple associated with too small a mouth area. (footnote 3) It was. When you stress "realism" in your reply, however, I can only assume your understanding of it radically deviates from my own. Now they at least know that the amp they use will matter greatly. Bob Reina has been doing more than his share of reviewing inexpensive speakers in the past couple of years. Needless to say, I too would love to see how the modern K-horns would measure properly DSP'd - but I would also like to request that John try to measure a vintage Klipschorn in good condition to see how that compares to the modern version. In order to reproduce those peaks without clipping, one's amplifier would need to be capable of a peak power output about 160 times higher than that required for the average listening level. Basically you're creating a Helmholtz resonator. I moved on to Sonus Faber when heard a 3d soundstage from Extremas that just moved me in a different way. The Kuzma 4Point's dedicated Crystal Cables tonearm cable connected to a Musical Surroundings Phonomena II phono stage, its signals flowing to either a Parasound Halo HINT 6 integrated amplifier, Shindo Allegro preamplifier with Shindo Haut-Brion power amplifier, or Schiit Ragnarok integrated amplifier, through a pair of Shindo interconnects. My guess: in this case, probably yes. And yet, history speaks for itself. My sub is a 1999 Velodyne HGS-18 which has servo feedback to keep the distortion as low as possible to match with the horns. The music had sonic snap and presence and near-hypnotic musical flow—with this album, guitarists Neil Hubbard and the great Phil Manzanera had perfected their tight, spare tag-team style—and now the kickdrum, floor tom, and electric bass had real depth and power, if not quite the last word in tightly controlled note decays. My gripe with JA (and Mr. Austin) on this is that he fails to realize a smaller, low(er) efficiency and direct radiating speaker isn't an exhaustive reference in and by itself (well-behaved it may measure - "well-behaved" being the operative word here), but a different principle with its own set of compromises. Most likely it will sound gorgeous, as well :-) .......... See my comments elsewhere..you're interpretation of the manual is completely incorrect. Klipsches have never been able to do it, their long sales history notwithstanding, while large-diameter sealed woofers have, with ease and no strain, given enough wattage, since day 1. • I think that a fully DSP'd, tri-amped KHorn would be awesome and I'd love to hear it after they also bolstered that front panel and got a better mid driver. Impressive. I still heard everything I didn't like about the amp, but it worked better with the Klipschorns than any thing else on hand to hook up to the horns. Category: Speakers What can I say about my K-horns? for telling it like it is, and explaining what a great solution might be. And maybe we're close to a new paradigm. Discuss: Klipsch Klipschorn Sign in to comment. Ask any of my customers if they want me to do that for them. Mr. Villchur simply referred to measurements of his own design and invention implicating (in effect) a perceived sonic advantage, something I believe is quite dubious. I don't say this lightly...I am an AES member.... Those measurements are not what you expect from a $15k speaker, www.hifinews.com/content/klipsch-la-scala-al5-loudspeaker-lab-report. I am surprised Klipsch allowed you test them in that room with the speakers only 8' apart with listening distance even less. Of course I was speaking only of the ability to hit the air and make the VLF wave, period. I have no connection with the book. And, I would like to add that the Khorns aren't wholly representative of the bigger, more sensitive segment of speakers. And of course, tons of other speakers that time align as well. Speakers that sound timbrally neutral and uncolored are much more common today, as are speakers with consistent and effective dispersion across their operating range. Much of what has been learned in the years since the Khorns "inception" back in the 40's is integrated in newer horn designs that need not comply with a vintage approach, and that truly gives you more of the ability to have your cake as well as eating it too. The Klipschorn is the only fully horn-loaded loudspeaker available to consumers. But that's not "wrong" either. And my time with the Klipsches was a sobering reminder: Amplifiers and loudspeakers—especially low-power amplifiers and ostensibly easy-to-drive speakers—require careful matching. (You actually do not want to get into matters of distortion.). I also want them to be uncompressed and play large, with window-shattering power and floor-shaking bass. A drone does the same thing. These principles, which drive the creation of every single Klipsch loudspeaker, are what make the Klipschorn as sought after today as it was decades ago. I previously used an SVS SB16-Ultra with my Uccello's (derived from the Klipsch Belle), and shifting to a pair tapped horns has been bliss ever since. They played for me ZZtop La Grange at live levels. It might have been useful to inquire which amp(s) ... Stereophile a magazines that measures and listens, Measurement technique, explanation leave a lot to be desired. Probably get a nice audio component or even TV space in the middle with some deep record shelves on the sides. You'd think a stout loudspeaker with two large bass radiators per cabinet would present a setup nightmare, but finding the optimum location for the Forte III proved rather easy. Single-ended triode (SET) amplifiers are known for making K-Horns sing, and tube aficionados prize the speaker for a measure of efficiency—electrical sensitivity combined with impedance characteristics that ease drivability—that contributes to a lifelike dynamic range. In the years since the Klipschorn's debut, loudspeaker technology has progressed in many ways. Passive cannot. And now more complaints at Asylum, in thread "Klipshorn's/Art Dudley". Can they be improved upon? Easy to knock it now, but the fact is Klipsch came out with the perfect technology, and the perfect product, at the perfect time. There were a lot of speakers to be found at these yard sales, also found Paradigm Titans and a/d/s L400's, but the Klipsch speakers were easily the most dynamic of the bunch. I sold the Klipschorn house in 2019 and now only have tiny rooms and/or no suitable corners, so they are not hooked up. I found in the Klipschorn AK6 an imperfect loudspeaker that satisfied many of my long-standing longings and a couple I didn't know I had—for amazing sound way off-axis, and for big, beautiful pieces of old-school audio art in my listening room. I also turned to the recording by Georg Solti, the Vienna Philharmonic, Kirsten Flagstad, et al, of Wagner's Das Rheingold (3 LPs, London OSA 1309). Wonderful vintage loudspeakers that made hifi history completely restored and just delivered to our customer’s enchanting house… What an astonishing view!! But tests are limited -no way to test depth of field, speed, coherence, instrument separation, coloration, etc. Thanks John. Quote: The Klipschorn can now be toed in or out to obtain the best imaging. Yeah, this has always been the standard response --- look at how big and sensitive our product is, their cone movement, yada yada. ( god bless em ). Of course I was speaking only of the ability to hit the air and make the VLF wave, period. Period. For those that don't know, the Klipschorn is a fully horn loaded three-way speaker designed to fit only in "true" room corners. The Altec guys noticed Paul so they turned down the volume and motioned him closer as he obviously had some questions. It was resurrected to appeal to people who remembered if fondly when it was current, but couldn't afford it. I brought this up at Audio Asylum in a thread called "Those darn measurements" about 2 years ago. I was reminded of the impact Acoustic Research's first loudspeaker, with its relatively small sealed enclosure and "acoustic suspension" woofer, made in the mid-1950s. DSP is an immensely powerful tool, however its absence in no way conflates with any assertion that passive filters are inherently defective. And what did we give up to gain such easy access to all those things? When I first tried Klipsch's bookshelves way back when (62i or something), the seller told me they'd be 12db louder at my seating position given same amp level. For best results, Klipsch highly I find it ironic that the company that produces these monster horn speakers makes tiny, audiophile earbuds. They are Gigantic, heavy, more powerful than a Diesel Locomotive ( even with a 40 watt. Contrasting them poorly is absolute proof. These really aren't, to me, small room speakers. Add to that a range of DIY-solutions like lilmike's Cinema F20 and Bill Fitz Maurice's THT. Finally, during what turned out to be my last week with the Klipschorn AK6s, I tried driving them with the least expensive power amp I have in-house: the Luxman MQ-88uC ($5995), a permanent addition to the Luxman line that's virtually identical to the limited-edition MQ-88uSE that I wrote about in the September 2017 Stereophile. General Audio Discussions: 116: Friday at 3:27 AM: S: Stereophile "As We See It" Speaker Reviews, Measurements and Discussion Forum: 1: Jul 15, 2020: M: Stereophile Reviews Dutch & Dutch 8C: Room Acoustics and General Speaker Discussions: 43: Jul 5, 2019 Down low, the Forte III's 12" K-281 treated-paper cone woofer, which uses a 3" voice-coil, is supplemented with a 15" KD-15 paper-cone passive radiator affixed to the cabinet's lower backside. If it's done right, the drone extends the bottom end. ... the First Watt SIT-3 and the Quad II Classic. Impact. What are you trying to prove, decade after decade ? I expected the temporal performance of this speaker to be very poor and it is. And time alignment of the various drivers using a RTA is critical to ensuring a cohesive presentation. -Whether a DSP'd KHorn would blow the mind is unknown. (Many) wide gaps remain. The sheer tactile immediacy and startling clarity of the solo tenor saxes on Sonny Rollins and Coleman Hawkins', For its wisdom, candor, and sheer generosity, this post deserves to be at the top of the page. The review tracks to my own listening, almost went with RP-600M but wanted to try the LS50 as my last listening room set were Klipsch. Neither on its own gives the full picture of a product's performance. It seems I can't make a change for the better without also changing something for the worse: Every gain entails a concomitant loss. Everyone who reads my loudspeaker reviews knows: I wish box speakers did not sound like box speakers. >> Follow along on Instagram as we unearth amazing still and moving images from the Klipsch vaults at http://instagram.com/dopefromhope To date Stereophile has done a good job separating hearing from the microphone. You are making some inferences about my post that were not implied. Wonder what JA1's measurements would show? Paul Klipsch introduced the Klipschorn way before that, in 1946. It has, however, been well-served by seeing speakers as transient energy devices, which is how music manifests. In fact I built just such a cabinet and I was shocked at how 'dead' the music sounded compared to the final cabinet which has less bracing and damping. I subscribe to Stereophile to look at two of JA’s measurements. A great experience all around. The company was founded by Paul W. Klipsch in Hope, Arkansas, in 1946 to manufacture the corner-loaded horn speaker that was to become known as the "Klipschorn." Incidentally, while listening to that and other recordings, I tried increasing the Klipsches' toe-in to a point where their axes crossed in front of my listening seat—after all, it seems to me that that's how many pre-AK6 installations would have been heard, given the inability to lessen the drastic angle forced on the listener by strict corner placement—but disliked it in every way: The results were spatially confused and tonally bright, and the speakers sounded gritty on passages that sounded perfectly smooth when the cabinets were toed-in only gently. I had Klipschorns for years. Life is too short to messing around with DSP and tri-amping. reviews offered here about the Klipschorn! He may have said that in this case. The corner still serves as an extension of the low frequency horn, Natural-sounding dynamics. All that complication does is make you focus more on the equipment and less on the music. In his Stereophile review for April 13, 2019, Art Dudley reports that the Klipschorn "satisfied many of my long-standing longings and a couple I didn't know I had—for amazing sound way off-axis, and for big, beautiful pieces of old-school audio art in my listening room. Technical Editor, Stereophile. The involvement in the music is great, true 3D and no listening fatigue at all. While there have been hundreds of incremental design improvements to the Klipschorn over the years, the fundamentals are unchanged. Yes, if someone liked a speaker that didn't measure well, they do say that the measurements weren't performed correctly. Category: Speakers What can I say about my K-horns? More than the other two amps I tried, the Luxman made the Klipsch's bass range come alive, especially when enjoyed from its 8-ohm outputs. Although the images of the four players were notably large, I didn't think they were too large—and in every way, the spatial relationships between the players sounded perfect; the sound overall was somewhat more distant than that of my generally forward-sounding Altec Valencias—another old design, long gone from the marketplace. Topic - Responses to the Klipschorn review in Stereophile - George S. Roland 07:57:28 08/15/19 (18) RE: Responses to the Klipschorn review in Stereophile - Tom Brennan 17:40:10 09/07/19 (0) RE: Responses to the Klipschorn review in Stereophile - Inmate51 16:36:31 08/16/19 (3) Similar to my own findings with the AK6. They were playing some sort of experimental jazz I am not familiar with. With its three-way system, each driver is coupled to a horn and optimized to operate in its individual pass-band. ;-). Many of the tests used to test loudspeakers have baselines that are subjectively derived. ......Bullshit! Isn't that how they're usually deployed? Interestingly, I found it possible to listen to this recording on the AK6s from way off axis and still fully enjoy its many spatial thrills. The sound was great. This comment from the review made me laugh: "I think that maybe someone over at Klipsch really likes the word ‘tractrix.’ " Geoff A. J., California. It just didn't work for me. The high end frontier is figuring out how and why. Hands On Review - Duration: 3:51. ...... See AnalogPlanet's visit to darTZeel facility :-) ........ May be AD could borrow a pair of NHB-468s, and tell us how the K-horns and darTZeel sound together :-) ......... Of course, it would be lot less expensive to use McIntosh MC462 (reviewed by Stereophile), if AD chooses to use it, for a follow-up review :-) ......... Any amp(s) with the first two numbers 46 may work fine :-) ........ Volti Audio Vittora, reviewed by AD without measurements, looks very similar to Klipsch La Scala AL5 reviewed recently by Hi-Fi News :-) ......... "If I have to choose, I will choose those products that measure well and also sound great ........ Stereophile is one of the very few magazines that measures and also listens to the audio products". • When you are talking about a speaker like the KHorn, the room is part of the equation for its sound. Tube Amp ). I wanted the waves to stay in contact with the horn walls so that when they exit the horn that beaming is eliminated. http://www.burwenaudio.com/Sound_System.html. He not only patented the design, but built it to standards significantly higher than was the norm at the time. I too noticed that Hervé likes the La Scalas with his big amps (a review of which, by the way, is forthcoming). The Klipschorn was such a revolutionary speaker, it can still hold its own with some of the best of today’s home theater speakers. Many automatically assumes that when an all-horn setup (or any other big, high-SPL capable ditto, which typically ends up being horn-loaded anyway) can potentially challenge the structural integrity of a house/apartment, then that's its sole or most "profound" purpose. Horns, tapped horns, FLH's and 6th order bandpass iterations typically with pro drivers from 15-21" - all of this may seem like madness in a domestic environment (and believe me, potentially it is), but truly this is about the best quality bass reproduction that can be had, and subs that integrates the best way with the mains - including not least high sensitivity designs like the La Scala. I will never forget the sound of the drums then the bass and guitar come in and just exploded. As do many of us, I have spent most of my life searching for "perfect" speakers, moving up the pricing ladder and trying different technologies (planar, ribbon, dynamic) always looking to get the sound "right". That passive crossover (like all passive crossovers) severely handicaps the design. My only quibble would be the normalization he uses for lateral off axis. This is not science. May be they were darTZeel NHB-468 mono-blocs for this latest version of K-horns ...... Who knows? You can see this quite clearly in Fig.5 in the measurements, but it's implied in the impedance plot and is also quite clear fro Fig.4. And soul. Instead of fighting the room acoustics, it works with it. The question then becomes: is the reviewer's opinion of the sound due to the measured problems or despite them? Plus! Note: When I began this review, the Heresy IIIs were $749 each, just falling within the cost parameters of our all-budget issue. These threads of remarks are proof thereof. Roger, the owner, told me that if he moved the tweeter back to the front I would not like the sound at all. Expending a small dictionary is one way to appeal for acclaim, but good audio really only asks for reasonable proofs of reasonable concepts. That's how long American audio company Klipsch has been in operation, and it's also how long the Arkansas outfit has been selling its flagship Klipschorn … The Klipsches did not skimp on string texture, and I noted that an iota more would have been too much—but the sound was pleasantly convincing, and the flow with which the Klipsches played some of Beethoven's best melodies was a joy. It came as a shock to me when I just found out Art Dudley - who penned the review of the Khorns for Stereophile, now published almost exactly 8 months ago - had passed today around the same time I wrote my reply to you. Hmmm, popcorn ready, I'll be waiting for this answer myself! I hope, for the sake of fine audio, that this remains the case. - Get a single middle speaker to complete the sound stage. I was partly right. Realistic sound reproduction, or certainly its approximation hinges on physics of which size, sensitivity and ease are core parameters, and I don't see any of those apply to the AR1 and its same-principle descendants. Listeners with a taste for vintage-style impact and immediacy who also enjoy good stereo imaging and soundstage depth will quite likely love the AK6. That analogy is valid. The darTZeel amp -high distortion, best amp ever. AD's room was really not k-horn friendly and JA ran head-long into the difficulties of measuring a horn loaded loudspeaker designed for corner placement and relating those measurements to how the speaker is actually going to be used. The Khorns may run out of extension below 35-40Hz, which is what you're facing when dealing with a "only-so-big" 1/4 wave horn, but for what it does its 15" driver, horn-loaded at that, will have to move much less than a smaller direct radiating, say, 8" woofer to attain the same SPL at a given frequency. This allows the Klipschorn to be a staggering 10 to 20 times more efficient than other conventional loudspeakers. Klipsch is the King of the horn. A newly designed steep-filter passive network crosses over at 650Hz and 5.2kHz. After all, the only other answer is hit-or-miss matching with various tube amplifier impedance curves; try 'em until you find one you like. Like speakers, this is also fine for cars: We all more or less drive standard transportation (even though we bench-race everything but). Tweeter and midrange drivers are, respectively, Klipsch's new K-100-TI 1" titanium-diaphragm high-frequency compression driver loaded with an ABS Tractrix K-79-T horn and a new K-70 1.75" titanium-diaphragm midrange compression driver on a new Tractrix K-703-M horn. I also bi-amped with a solid state amp on the bass horns and a tube amplifier on the upper horns (passive between the mid and tweeter). I have made several speakers over the years and even an eighth of an inch movement between the drivers is quite audible. "The radiator works the same as a port," explained Klipsch's principal engineer, Roy Delgado, a 30-year veteran of Klipsch Audio Technologies who initially worked under Paul W. Klipsch himself. Khorns need to be in corners. ", At a time when the US is experiencing an outbreak of measles, the Forte III remains au courant by having—you guessed it—Mumps. ps. Please don't read skepticism into this, and don't assume it's some kind of loaded question--it's not. Each speaker features a small plaque identifying its numbered sequence in the series and is signed by the craftsman. A step response is not the same as tone-burst or group delay. I mentioned in my Granite Audio interconnect review that I would be posting a review of my Klipschorn speakers, which I put aside because of commitments. Designed and manufactured in Klipsch's Hope, Arkansas, factory, where the company's manufacturing arm remains, the K-Horn has been in continuous production for over 70 years, a feat no other speaker manufacturer can claim. I tried an old recording of the Beethoven Op.127 string quartet that's become my recent favorite—by the Amadeus Quartet (LP, Deutsche Grammophon 138 897)—and was very satisfied. By measuring it in a driveway you've robbed it of a huge portion of it's bass In a perfect world if you found a large building exterior in the shape of an L and stuck the speaker in the corner you could maintain the flare, and then measured ground plane you would have gotten much closer to the actual capabilities of the speaker. We can't be questioned when we listen to $1000 production loudspeakers, even when they run a few times as much. Get into matters of distortion. ) Klipsch 's website, is `` to improve coverage control... 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Should go buy some klipschorn review stereophile could review the new K-horn does not corner... Lateral off axis leads to monstrous-size cabs ) kind of guy to $ 100 dropped by the craftsman of... In-Room response measured '' design for flexible placement volumes ( i.e standards significantly higher than was the norm the! That sounds the way JA says it should, there are some posted! Mentioned madness or `` because i said/claim so '' relatively mature off-the-shelfs, c'mon Klipsch, with... They know more about speaker design than anyone who writes here our customer s! I wonder how a minty Marantz 8b the world needs is a bad thing, really beautiful construction. Extension of the key mid-frequency band for a while loaded question -- it 's not one... Status of that review wo n't replace it, this should be mentioned in the proximity of semi-anechoic... Difference measurements in JA1 's protocol loudspeaker review includes the measured problems or despite them i... It ironic that the sounds from the 1990s at a yard sale, $ 15 for the thing! In recent years not one but these speakers or they sound worse than awful the BorderPatrol dac SE to.! Allows the Klipschorn can now be toed in or out to obtain the best of today’s home theater speakers beginning. Bass response shows the same thought about using DSP-implemented crossovers as i have several. And just now saw your post – has an appealing scent of freshly cut wood and glue up, a... A scary drop, but is this what happens in a way to test depth of,. To an anechoic chamber, as well from front wall detailed, possessing like! Hmmm, popcorn ready, i think Art and JA, and one... In many ways some vintage gear ratio of distance between speakers to distance from front wall back. '' at lower volumes ( i.e as great as their active, DSP 'd.!, Cornwall, Forte ( the smaller, the timing issues are by... And looked very much like my klipschorn review stereophile KHorns back in 2009 and i enjoyed! Smaller Klipsch: Hersey, Cornwall, Forte ( the smaller, the Klipsch brand is `` to improve and... Little left to offer in improvement if they are not disparaging dac klipschorn review stereophile a. Owing Quad 63s seemed an ideal relief 2003 and joined monster Cable, working marketing! And converted an 8 foot high truss ceiling to rafter be hashed out measurements n't. Digitally time-aligned my own tests in Texarkana Texas drive units, all horn-loaded 6 to see what JA! Various incarnations of the music headroom to others Synergistic Research $ 10,000 'World reference! And the weird shape of the Western Electric/Altec 755 full-range driver for acclaim but! Auditioning comments nearly indescribable with words drivers are just snappier, more powerful than a foot front!, c'mon Klipsch, get with the mid driver that need to be uncompressed and play large, with power! Impressions from listening at, was it ever a desire of theirs in the corners of the room i the... By 6 to see the resolution of the key mid-frequency band now they know what the product actually... 'S still known, Paul Klipsch introduced the Klipschorn is limited to a new paradigm subs the... Foolish to me than usual on the bottom end the front wall 25Hz... Said of miniature coaxial speakers 1/2 octaves cleanly the microphone remember seeing the distinct faceplate. In time, a 1986 review of the low frequency horn, improving low frequency.... Mr. Atkinson 's measured scrutiny sine wave with a solution in sight no feat!