Minujin's performances and artworks tackle many themes and issues, from politics to the definition of art and to the way people perceive the world. By Marta Minujín, 1963. Copy number 194 of 200 copies. Item #420147. NEW MUSEUM. Monday: Closed Illustrated from photographs. Very scarce. Dense with works made, remade and documented from a half-century career, this retrospective of Marta Minujín in her home city of Buenos Aires … Bound in blue and white mattress ticking over flexible card wrappers. Small quarto. Her early constructions with multicolored mattresses called attention to intimate physical activities such as rest and sex. In the early 1960s Minujín moved rapidly from producing expressionist canvases and assemblages of cardboard boxes and old mattresses, to sculptures made from material covered in bands of fluorescent, psychedelic stripes. (150 × 87 × 54 cm), Radical Women: Latin American Art, 1960–1985. She created her first "Happening" in 1963 in Paris where she had traveled on a scholarship to study. After completing her studies in various national schools of fine arts, her first works placed her within the aesthetic of Informalism and Objectualism. Bound in blue and white mattress ticking over flexible card wrappers. 10899 Wilshire Blvd. Describing her style is hard, as she evolves constantly. The work is brightly multicolored, recalling Marta Minujín’s inhabit- able mattress assemblages of the early 1960s, one of which, ¡Revuélquese y viva! 28.05 – 02.07 /2015 Henrique Faria Fine Art, New York. Marta Minujín, an Argentinian artist, worked in both Paris and Buenos Aires in the early 1960s. As a student in the National University Art Institute, she first exhibited her work in a 1959 show at the Teatro Agón. Minujín’s practice became increasingly ambitious. The June 1966 issue of Arts Magazine heralded the Argentine artist Marta Minujín’s arrival on the international art scene as a ‘Latin Answer to Pop’. Marta Minujín detruire ses oeuvres.” The location of this destruction was public and open air: artists Niki de Saint Phalle, Jean Tinguely, and Larry Rivers lent her the use of an empty lot called Impasse Ronsin (notably also the site of Saint Phalle’s group event/process painting Shooting Pictures in 1961). Saturday & Sunday: 11am - 5pm, Restaurant Hours Feb 14, 2017 - Biography for the artist Marta Minujín, included in the World Goes Pop exhibition at Tate Modern. 38pp. Striped cotton mattress cover, hand-painted, fluorescent tubes, 75 × 42 × 27 cm. Mattress 1962 is one of Marta Minujín’s earliest experiments with the manipulation of mattresses into sculptural interactive forms, which took place in Paris in the early 1960s. b. ), won the Di Tella’s Premio Nacional in that same year. Hugo Award for Best Science Fiction Achievement, Library of Congress 88 Books That Shaped America. Small quarto. Marta Minujín is an Argentinian contemporary performance artist and sculptor, who is mostly known for producing conceptual and participatory events, or so-called "Happenings". First edition. In 1966 she was awarded a Guggenheim grant and she traveled to New York. Her early constructions with multicolored mattresses called attention to intimate physical activities such as rest and sex. Softcover. 2010 Marta Minujín: Obras, 1959–1989, Fundación Costantini, Museo de Arte Latinoamericano de Buenos Aires 38pp. *OCLC* locates five copies. All rights reserved. Copy number 194 of 200 copies. Slight fraying at the edges and a couple of small stains on the cloth, near fine. Rebel Spirit Opening Reception: Thursday May 28, 6-9 pm Exhibition runs through July 2, 2015 Gallery Hours: Tuesday to Saturday 11-6 pm Henrique Faria Fine Art is pleased to present Rebel Spirit, Marta Minujín’s second exhibition in the gallery and one of many held in … More information Marta Minujín in Paris with her work Mattress before destruction In 1963, she created La chambre d’amour (The Love Room) , an installation made from multi-colored mattresses that she made herself, which viewers entered through a door shaped like a vagina. Marta Minujin is an Argentinian conceptual artist famous for her performance pieces called "Happenings," which she also describes as "livable sculptures." Among those listed as "Photographers" who created events in the environment were Carolee Schneeman, Ray Johnson, Charlotte Moorman, Lynn Anderson, and several others, with their contributions illustrated and noted in the index. MINUJÍN, Marta, Richard Squires, Carolee Schneeman, Ray Johnson, Charlotte Moorman, and others. The hand-painted colourful objects emerged from an interest in urban debris and found objects. Born 1943 into a bourgeois family in the suburbs of Buenos Aires, she received art training very early on. 2010 Marta Minujín: Minucodes, Americas Society, New York. Documentation of a Fluxus or Soft Art installation and "happening" by Argentine-born feminist conceptual artist Marta Minujín collaborating with Squires at his Soft Gallery, an environmental performance space in Washington, DC. But there is one thing for sure, she is an avant-garde ‘outside the box’ artist. Beyond the references to female anatomy, these pieces were striking because of the way they activated viewers' bodies—one of the main pursuits of Minujín's work up to the present. Sunday: 11am - 5pm, Acrylic on fabric, foam rubber (reconstructed), 59 1/16 × 34 1/4 × 21 1/4 in. The installation was later recreated at the Museum of Contemporary Art in Los Angeles in 2007 and at the Museum of Modern Art in New York in 2008. Marta Minujín made her name with her avant-garde works of the 1960s, during which time she lived in New York and befriended John Lennon and Andy Warhol - Emirates Mozambique 1943 Marta Minujin makes plush sculptures and immersive environments, strung with glowing neon lights. (1964), el público es invitado a ingresar a través de puertas-vaginas y a manifestarse, evocando imaginariamente el acto de hacer el amor. 1975 La academia del fracaso, Centro de Arte y Comunicación, Buenos Aires. First edition. The body was central to much of the Argentine artist Marta Minujín's pop production from the 1960s. As in … Marta Minujín is an internationally acclaimed Argentine performance and conceptual artist whose career has helped define the role of participation, performance, and media in contemporary visual art. She was a pop artist and like other pop artists was inspired by popular and commercial culture such as advertising, Hollywood movies and pop music. We visit The New Museum in New York, which has been showing immersive installations and performances like “Menesunda”, by Argentinian artist Marta Minujin. Publisher. Marta is different. ... (1963), the first of many “happenings” or events as works of arts themselves, involved a display of mattresses arranged by Minujin along the Impasse Roussin and later destroyed by her avant-garde artist friends. Illustrated from photographs. Slight fraying at the edges and a couple of small stains on the cloth, near fine. Soft Gallery consisted of 200 mattresses tied together with ropes that covered the walls, ceiling and floor of the gallery. Among those listed as "Photographers" who created events in the environment were Carolee Schneeman, Ray Johnson, Charlotte Moorman, Lynn Anderson, and several others, with their contributions illustrated and noted in the index. Publication “Destrucción de mis obras en el Impasse Ronsin, París,” June 1963. Softcover. Influenced by nouveau réalisme (new realism), Minujín used ready-made and found materials to experiment with the construction and destruction of form.In addition to assembling and rearranging her materials, she would sometimes violently destroy them with an ax or by fire. Slight fraying at the edges and a couple of small stains on the cloth, near fine. 1986 Le sacre du printemps, Venice Biennale, Argentina Pavilion. mohrmann | marta minujín’s destructive intervention 65 10 José-Augusto França, Marta Minujín, Lourdes Castro, Alejandro Otero (Paris: 1963), exhibition catalog, Archives of Museo de Arte Moderno, Buenos Aires, folder 31, 16. The body was central to much of the Argentine artist Marta Minujín's pop production from the 1960s. HAMMER MUSEUM Documentation of a Fluxus or Soft Art installation and "happening" by Argentine-born feminist conceptual artist Marta Minujín collaborating with Squires at his Soft Gallery, an environmental performance space in Washington, DC. 1962 Marta Minujín, Galería Lirolay, Buenos Aires. BUENOS AIRES -- Argentine conceptual artist Marta Minujín celebrated her 70th birthday in full pop icon style. MARTA MINUJÍN. (Wallow Around and Live! 11 Ibid. Available for sale from Henrique Faria Fine Art, Marta Minujín, Colchón (2014), Fluorescent paint, shellac, thread and foam rubber on mattress fabric, 170… exemplified by the work of Marta Minujín, a figure who receives sustained attention in both books. She met a young economist, Juan Carlos Gómez Sabaini, and married him in secret in 1959; the couple had two children. 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